This phrase refers to a hypothetical scenario where the 1988 film “Who Framed Roger Rabbit” is implicated in a fictional manipulation of reporting by The New York Times. This could involve planting false stories, influencing editorial decisions, or otherwise utilizing the newspaper to shape public perception, perhaps concerning the film itself or related events. It evokes themes of media manipulation, conspiracy, and the interplay between Hollywood and journalism.
Examining this hypothetical situation provides a framework for discussing broader issues regarding media influence and potential bias. It allows exploration of the power dynamics between entertainment industries and news outlets, raising questions about objectivity and potential conflicts of interest. Furthermore, it can serve as a lens through which to analyze the historical relationship between Hollywood and the press, highlighting how studios have historically sought to shape public image and narrative.